Ako bismo mogli da citamo buducnost iz onoga sto je zapisano u proslosti, mogli bismo da koristimo osnovne odlike pretrazivaca kako bismo preduzeli predvidjene radnje.
Pretrazivac prepoznaje linkove na HTML stranici kao posecene ili ne i prikazuje ih automatski razlicitim bojama. Ako znamo svoju proslu i sadasnju lokaciju lakse cemo odluciti kuda da idemo dalje.
"go to the future" vas vodi na put kroz nasumicno generisana imena domena. Ukoliko poslusate "predskazanje" dodacete linkove iz buducnosti listi onih koji su vec prepoznati kao poseceni.

mozete isprobati "go to the future" na sledecoj adresi:
http://pzwart2.wdka.hro.nl/~ssavic/etraces/

 
http://www.kucjica.org

Selena Savić

(1980). Baveći se pretežno zvukom i instalacijom, apsrahuje delove realnosti i povezuje ih u različite sisteme odnosa, koji često dovode do apsurdnih iskustava. Fascinaciju sistemima i društvenim fenomenima iskazuj baveći se idealističkim projektima (re)konstrukcije društvenih i ličnih dnosa, sa osvrtom na ulogu informacije i medija u svakodnevnom i nesvakodnevnom životu. Diplomirala na Arhitektonskom fakultetu u Beogradu. Živi i radi Holandiji gde studira Medija Dizajn na Pit Cvart institutu.

uf we could tell the future from what is written in our history, we could use the simple browser properties to have it take predicted actions.
The browser recognizes links on a html page as visited or not and displays them by default in different colors. Knowing your past and present locations makes it easier to decide where to go next.
"go to the future" takes you to a tour through random generated domain names from a "soup" of letters that I stripped from links that appear as visited in the browser. If you decide to follow the "prophecy" you will add the future links to the list that gets recognized as visited.

you can use "go to the future" at the following address:
http://pzwart2.wdka.hro.nl/~ssavic/etraces/

 
http://www.kucjica.org

Selena Savić

(1980). She works mostly with sound and installations. Abstracting parts of reality, she connects them into systems of related elements, often resulting in absurd experiences. Her fascination with structure of the society and socal phenomena she expresses through idealistic projects for (re)construction of social and personal relations, reflecting on the role of information and media in the everyday and non-everyday life. Graduated from the Faculty of Architecture in Belgrade. Lives and works in the Netherlands, where she is completing her master studies in Media Design at the Piet Zwart Institute.

Instalacija Volfganga Bitnerase na fundamentalan način bavi osnovnim elementom fotografije, svetlom. Uspostavljajući vezu izmedju različitih aspekata objekta, tehnike snimanja i reprodukcije, preispituje se proces nastajanja slike.
http://www.wolfgangbittner.com

Volfgang Bitner

(1981, Salcburg, Austrija) je vizuelni umetnik čiji se rad kreće u polju videa, fotografije i instalacije. Umetničku karijeru započeo je kao slikar, nakon čega postaje sve više zainteresovan za mogućnosti rada sa interaktivnim medijem i promenama medija u vremenu. Pored više kratkih filmova, velikih fotografskih grafika i interaktivnih instalacija, radio je video projekcije za pozorišne dogadjaje i nastupao uživo sa svojim audio-vizuelnim programom.

Wolfgang Bittner's installation works with the constituent element of images, namely light, in a fundamental way. By drawing relations between the different aspects of object, recording and reproduction technique, the process of image making itself is put into perspective.
http://www.wolfgangbittner.com

Wolfgang Bittner

(1981, Salzburg, Austria) is a visual artist working in the field video, photography and installation. He started his artistic career as a painter, before becoming more and more interested in the possibilities of time based and interactive media. Beside the production of short films, large photographic prints and interactive installations, he has been realizing video projections for theatre and audiovisual live performances.

Jarun Aitendale dizajnira audio-vizuelne instalacije koje se oslanjaju na fundamentalne komunikacijske principe. Provodnici i “sirovi” materijali kao što su grafit i metal postaju ključni elementi u ovom procesu koji izražava direktnu i fizičku estetiku.

Jerun Aitendale

(1981) je studirao audiovizuelnu umetnost, odsek za radio na RITS akademiji u Briselu. Centralna tema Jarunovog rada je zvuk posmatran kao fizički skulptoralni entitet. Kroz izradu zvučnih skulptura, kinetičkih objekata, instrumenata ili kompozicija, on pokušava da se izrazi intuitivnim poetskim jezikom koji komunicira kroz inherentne odlike datog medija. Radove “Prazna traka” (2003), “Monolitna promenada” (2006), “Grafitni interfejs” (2007) i “Svetlucajuća polja” (2008) izlagao je u Belgiji i Holandiji.

Jeroen Uyttendaele designs audio-visual installations based on fundamental communication principles. Conductive and 'unpolished' materials like graphite and metal are key elements which propagate a direct and physical esthetic.

Jeroen Uyttendaele

(1981) studied audiovisual arts, option radio at RITS, Brussels. The central subject of Jeroen‘s work is sound seen as a physical sculptoral entity. Through the development of sound sculptures, kinetic objects, instruments or composition, he is trying to express the intuitive poetic language that communicates the inherent characteristics of the media. Among his works are the installations 'Plane tape' (2005), ’La promenade Monolith' (2006), Graphite Interface (2007) and Sparkfield (2008). He exhibited in Belgim and The Netherlands.

Rad Lindsi Hausden i Joko Sejama demonstrira snagu arhitekture da obuhvati i redefiniše odnos posetioca sa prostorom. Apstraktno postaje konkretno, konkretno postaje prozirno.

Lindsi Hausden

Vizuelna umetnica, živi i radi u Holandiji, rođena u Velikoj Britaniji 1980. Lindsi Hausden trenutno završava MA studije “ArtScience-a” u Hagu na kojima se bavi istraživanjem tkanina, različitih vrsta tkanja, lastiša, bakterija i drugih materijala koje koristi u izradi okruženja za performans ili interakciju. Tokom studija likovnih umetnosti “Art Intermedia” (2002) radila je na interaktivnim video instalacijama i saradjivala sa plesačima na izvođenju performansa u specifičnom okruženju.
lyndsey.housden(at)interfaculty.nl

Joko Sejama

Joko Sejama se bavi novim medijima i scenografijom, rođena u Tokiju 1980. Živi i radi u Holandiji. Od najranijih dana arhitektonskog obrazovanja, sa dugogodišnjim iskustvom u klasičnom baletu, usavršavala se u kreiranju prostornih instalacija za savremeni ples performans. Od dolaska u Evropu 2004, koncentriše se na scenografiju za umetničke forme koje se odigravaju u vremenu. Istraživanje koje radi u okviru master studija ‘Artscience’ u Hagu koje pohađa od 2008 pod nazivom “svetlosni procesi / rad dodira” za 3D prostor, uključuje rad sa video i foto materijalom uz kombinovanje kompjuterske tehnologije i manuelne obrade.
www.yokoseyama.com

The power of architecture to embrace and redefine the relation between the visitor and the space is the ground for the work of Lyndsey Housden and Yoko Seyama. Abstract becomes concrete, concrete becomes transparent.

Lyndsey Housden

Visual artist, based in the Netherlands, born in the UK 1980. Lyndsey Housden is currently completing her MA in Art Science at the Interfaculty, Den Haag, NL, where she is researching fabrics, weaves, elastics, bacteria and other materials to build and generate environments for performance or interaction. During her degree in Fine Art Intermedia (2002) she collaborated with dancers to create performances for site-specific environments and developed interactive video installations.
lyndsey.housden(at)interfaculty.nl

Yoko Seyama

Yoko Seyama is a scenographer and media artist, based in The Netherlands, Born in Tokyo. From early on in her architectural training and classic ballet, she began specializing in the creation of spatial installations for the performance art contexts and for the contemporary dance. Since moving to Europe in 2004, she has been concentrating on Scenography for Time based art. Her present research in her MA in Artscience at Interfaculty Den Haag is “processing light / work of touch" for 3D space by film, photo and by mixture of computer technology and hands-on work.
www.yokoseyama.com

Lars Kinde se bavi materijalizacijom muzičke strukture. Njegova skulptura od starih audio dekova je opremljena na početku kratkim jednostavnim zvučnim zapisom. Puštanjem i presnimavanjem ovog zvuka različitim brzinama, od trake do trake, posetilac može da koristi skulpturu kao instrument. Čineći ovo, posetilac zamenjuje početni uzorak složenijim zvučnim materijalom, i time doprinosi nepovratnom muzičkom procesu.

Lars Kinde

Rođen sam u Danskoj 1981. Diplomirao sam kompoziciju na Kraljevskoj muzičkoj akademiji u Kopenhagenu 2007. godine i od tada se bavim istraživanjem vizuelnog prikaza tonova i alternativnih instrumenata na studijama Artscience-a u Hagu. Radim kao kompozitor i izvođač na udaraljkama, violončelu i instrumentima koje sam gradim. Želja za kreiranjem novih oblika notacije i novih instrumenata proistekla je iz nezadovoljstva ograničenjima koja nameću postojeći instrumenti i notni sistemi. Moje je mišljenje da su muzika, notacija i instrument duboko povezani tako da nova muzika zahteva novi zapis i nove instrumente kako bi funkcionisala na prirodan i idiomatski način.

Lars Kynde works with the physical appearance of a musical structure. His sculpture of old tape decks is from the beginning loaded with a short simple sample. By playing and recording this sample in various speeds from tape to tape the visitor can play the sculpture as an instrument. By doing this the visitor replaces the simple sample with more complex ones, and contributes thus to an irreversible musical process.

Lars Kynde

I was born in Denmark 1981. I graduated as composer from the Royal Academy of Music in Copenhagen 2007, and have since then done research in visual tone representations and alternative instruments at the interfaculty Artscience in the Hague. I work both as composer and as perf orming artist playing percussion, cello and my own homebuilt instruments. The will to do new forms of notation and new instruments came out of the dissatisfaction with the limitations of existing instruments and the existing scoring system. My view is that music, notation and instrument are closely connected, so that new music needs new instruments and new notation, and opposite new instruments and score systems create new music in a natural and idiomatic way.

Diskusija o vremenu koju je u svojim crtežima obradila Rašida Ziani, deo je šire analize naše percepcije vremena. Proširujući domet medija "olovke na papiru" svojim konceptualnim pristupom, ona uspostavlja vezu između tradicionalne umetničke tehnike i savremenog narativa.

Rasida Ziani

Rašida Ziani je francuska umetnica, rođena 1982, u Vilepintu, Francuska. Živi i radi u Hagu, Holandija. Svoje umetničko formiranje Rašida je započela na EPIAR, Međunarodnoj školi savremene umetnosti, Vila Arson u Nici, gde je istraživala i usavršavala ilustraciju i grafiku. Kasnije je razvila duboko interesovanje za zvuk i muziku, zajedno sa fascinacijom mehaničkim uređajima, automatima i trikovima koji su koršćeni u apstraknom filmu i iluzionističkim performansima. Trenutno završava studije audio-vizuelnih umetnosti na ‘ArtScience’ odseku Kraljevske likovne akademije u Hagu.

The discussion on time which Rachida Ziani illustrates with her drawings is a part of a wider analysis of our perception of time. Expanding the medium of “pencil on paper” with a conceptual approach to the process as a structure, she establishes a connection between a traditional artistic technique and a contemporary narrative.

Rachida Ziani

Rachida Ziani is a french artist, born in 1982, in Villepinte, France. Lives and works in The Hague, The Netherlands. Rachida started her artistic formation in EPIAR, the International School of Contemporary Art, La Villa Arson, in Nice, where she researched and refined her skills in illustration and etching. Later on she developed a strong interest in music and sound, and a deep fascination for mechanical machines and devices, automatas and tricks used in abstract cinema and magical performances. She is currently completing her studies in sound and visual art, at the Interfaculty Artscience, in the Royal Academy of Art in The Hague.

Rođena 1978. godine u Beogradu. Diplomirala istoriju umetnosti na Filozofskom fakultetu u Beogradu. Počev od 2001. godine, sarađuje sa grupom umetnika mlađe generacije okupljenom oko Studentskog kulturnog centra, čiji rad i danas prati. Saradnik Studentskog kulturnog centra (2001-2003) i Galerije Grafički kolektiv (2005-2006). Učestovala u organizaciji i realizaciji različitih projekta u oblasti savremene umetnosti. Trenutno kustos-pripravnik u Muzeju istorije Jugoslavije u Beogradu.

Born 1978. in Belgrade. Graduated from History of Art at the Faculty of Philosophy, University of Belgrade. Since 2001 she has been active in collaboration with a group of artist from the younger generation gathered around Students Cultural Center. Worked in the Students Cultural Center (2001-2003) and the Graficki Kolektiv Gallery (2005-2006). Participated in organization and realization of different contemporary art projects. At the moment works as an assistant curator in the Museum of Yugoslav History.